Nemški umetniški petek

Posted: junij 11, 2012 in avdiovizualno, film, izobraževanje
Ključne besede:, , , , ,

V okviru EPK-jevega meseca nemške kulture bosta v kinu Udarnik ta petek, 15. junija gostovala dva umetniška dogodka, na oba pa je vstop prost:

Cinema Udarnik will host two artistic events on Friday, 15th of June, as part of the ECOC German culture month. For both the entry is free of charge:

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15th of June @ 20.00 // Film cycle Illuminated:

PINA BAUSCH | THE PLAINT OF THE EMPRESS
(= DIE KLAGE DER KAISERIN)
1987-1989

‘Die Klage der Kaiserin’ is the first film by choreographer Pina Bausch. The general framework is set be the changing seasons – autumn, winter and spring.
The film’s inner structure reflects Pina Bausch’s method of working as developed with the Wuppertal Theatre of dance during the 1973/74 season. The film consequently does not tell a story, but is made up of various scenes put together as a collage reflecting certain moods and invoking different associations. A variety of themes which Pina has frequently dealt with in her stage productions are also loosely interwoven in the film. Unlike the stage productions, however, the film scenes, some of which are thoroughly absurd, are set in different locations, such as the woods and fields around Wuppertal, the city centre, the suspended railway, a carpet shop, a greenhouse and the rehearsal room in a former cinema (Wuppertal’s ‘Lichtburg’). The film features the dancers and an actress from the Wuppertal Theatre of Dance whose text improvisations, dancing and scenic variations leave their usual distinctive marks on the overall production. The futility of human activity and the search for love make up the film’s central theme set against the strains of a Sicilian funeral march. ‘The despair is tangible. After all, the film is a lament’ according to Pina Bausch.
___________________________________________________________________________

SLO: PINA BAUSCH | TOŽBA CESARICE
(= DIE KLAGE DER KAISERIN)

Prvi film koreografinje Pine Bausch «Die Klage der Kaiserin« je bil ustvarjen v času med oktobrom 1987 in aprilom 1989, njegov tematski okvir pa zajema menjavanje letnih časov – jeseni, zime in pomladi. Notranja struktura filma zrcali samo metodo dela Pine Baush, ki jo je koreografinja razvila v plesnem gledališču Wuppertal med sezono 1973/74. Film tako ne govori zgodbe, temveč ga spletajo različne scene, ki kot kolaž vzbujajo različna razpoloženja ter kličejo k različnim asociacijam. V filmu ohlapno vznika tudi paleta tematik, s katerimi se je Pina ukvarjala v svojih odrskih produkcijah. Za razliko od slednjih pa so scene v filmu, ki se včasih zdijo popolnoma absurdne, postavljene na različne lokacije, na primer v gozdove in polja okrog Wuppertala, v jedro mesta, na zapuščeno železniško progo, v trgovino s preprogami, v rastlinjak ter v vadbeno sobo bivšega kina (Wuppertalski ‘Lichtburg’). Film prikazuje plesalce in igralko iz plesnega gledališča Wuppertal, ki s svojimi improvizacijami teksta, plesom ter scenskimi variacijami puščajo razpoznaven in močan pečat na celotni produkciji. Osrednja tema filma se zarisuje okrog jalovosti človeške aktivnosti in iskanja ljubezni, ki jima je ob bok postavljen napor sicilijanske pogrebne koračnice. Po besedah Pine Bausch je »obup oprijemljiv. Navsezadnje je film žalostinka«.

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15. junij @ 22:00

Frank Bretschneider (Berlin): KIPPSCHWINGUNG

Avdiovizualne zmogljivosti / Audiovisuelle Performance / Audiovisuell performance

SLO: Znan po kompleksnih ritmičnih strukturah, preciznemu tajmingu in oglatih teksturah, najde Frank Bretschneider svoj prefinjeno reduciran glasbeni material v zvočnem prostoru okoli prvega sintisajzerja iz obdobja DDR-a, t.i. subharchorda. V Kippschwingugu Frank Bretschneider povezuje svoj nikoli preprost, a globoko občuten odnos do ritma, s specifično zvočno estetiko subharchorda. Bretschneider se loteva povezave že skoraj pozabljene tehnologije s sodobnimi tehnikami glasbenega ustvarjanja in produkcije. Le-to dosega s pomočjo za ta istrument posebaj razvite ritmizacijske instalacije in prožnih, abstraktnih zvokov, ki avditivno gledano, nahajajo ravno na ločnici med zvokom in tonom. Ob otvoritvi projekta AS WE SPEAK bo Frank Bretschneider predstavil avdiovizualno različico performansa »KIPPSCHWINGUNG«, ki je nastala v okviru projekta „SOUND EXCHANGE – eksperimentalna glasbena scena srednjevzhodne Evrope“ in v sodelovanju z Zavodom za umetnost in tehnologijo Maribor uho;oko.

ENG: With “KIPPSCHWINGUNG”, Frank Bretschneider combines his never simplistic but all the more profound
relationship to rhythm with the specific sound aesthetics of the Subharchord, the first analogue synthesizer, made in the 1960, in the German Democratic Republic. He uses the »rhythmisation installation«, designed especially for the instrument as well as the exciting, abstract sounds, which lie exactly between noise and tone, in order to combine an almost forgotten technology with contemporary production and music-making techniques. Bretschneiders audio-visual performance “KIPPSCHWINGUNG”, produced in the frame of “SOUND EXCHANGE – experimental music cultures in Central Eastern Europe”, will be a part of the opening events of the project AS WE SPEAK that was produced in collaboration with uho; oko: Institute for Art and Technology in Maribor.

www.frankbretschneider.de

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